To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation

To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation

experiemental music, feminist music, good buzz

"Shortly after it was published in 1968 the SCUM Manifesto by Valerie Solanas fell into my hands. Intrigued by the egalitarian feminist principles set forth in the Manifesto, I wanted to incorporate them in the structure of a new piece that I was composing. The women's movement was surfacing and I felt the need to express my resonance with this energy. Marilyn Monroe had taken her own life. Valerie Solanas had attempted to take the life of Andy Warhol. Both women seemed to be desperate and caught in the traps of inequality: Monroe needed to be recognized for her talent as an actress. Solanas wished to be supported for her own creative work. Commissioned by the Music Department of Hope College, Holland Michigan, To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation had its premiere in 1970. Though everyone knew Marilyn Monroe hardly anyone recognized Valerie Solanas or took her Manifesto seriously. I brought the names of these two women together in the title of the piece to draw attention to their inequality and to dedicate the piece." - Pauline Oliveros.

This LP contains both the 1970 Hope College premiere, performed by a 14-piece ensemble, and a 1977 recording from Wesleyan University, performed by a 43-piece orchestra. Roaratorio is proud to present the first commercially available release of this eerie, beautiful, and important Oliveros work."-Roaratorio

"Much of Oliveros's aesthetic is best understood as environment, areas of aural doldrums providing momentary and slightly queasy resting points, like the requisite standing back from a massive architectural work to take in the whole before venturing back in. In To Valerie Solanas and Marilyn Monroe, the hallmarks of Oliveros's later philosophy and aesthetic are brought into direct play with politically-charged expressionism. Kudos to Minneapolis-based Roaratorio Records for uncovering such a significant work, a piece of music that will probably scare the living shit out of you. Valerie Solanas would be proud."-Clifford Allen, Paris Transatlantic

/blurb from here = SQUIDCO !\

Pauline Oliveros

2 recorded performances :

- 6th of October, 1970 at Wichers Hall, Hope Collage, Hope, Michigan
- 7th of April, 1977, at Crowell Concert Hall, Wesleyan University, Middletown, Connecticut

Roaratorio ‎– ROAR21

2011

Nathan Shimabuku, Teddy Klaus, Tom Hilton, David Claman, Eric Ranvig, Anna Barron,, Pan Chapperon, James DeCaprio, Leslie Greengard, Margaret Holtzberg, Claudia Lewis, Georgia Mook, Fran Papperman, Susan Rappaport, Pam Schwartz, Mark Slobin, Jane Kurz, Monica McCarthy, Guitele Nicoleau, Marcia Finger, Sharon Avrutick, Ruth Rotholz, Barabra Johnson, Tom Moran, Anne Wilson, Chuck Agosta, David Hiscox, Eliot Bailen, Wendy Breuninger, Julie Burstein, Tom Loder, Sarah Kendall, David Engstrom, Ruth Axelrod, Bill Rowe, Jon Mink, Robert Blumenschine, Rich Brown, Skip Lombardi, Ron Kuivila, Tom Miller, Gary Grimaldi Nacny Rosenberg, Kathy Bergeron, Greg Shatan, Fred Briccetti, Julie Burstein,

45 minutes approximate duration

English

Classical, Contemporary

WCLP0014

Minneapolis, MN, USA