The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of…
Robust periodical in which Wilhelm and Annette are joined by some of the friends who made an appearance in the previous issue of “Trampelpfade”: John Heys, Nick Zedd, Shirin Barthel and Florian Cramer. Nick Zedd presents his extremist manifesto and…
The six Jim Davis films in this Horizons of Light collection span the years 1947 to 1971, from when Davis began to make films to when, because of increasing illness, he stopped. These films collectively show how Davis began to make films to document…
Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look…
Four years after writing his first novel, The Big Sleep, Raymond Chandler found himself sitting in an office at Paramount Studios earning a weekly salary that amounted to almost half of what he had received film rights to his second novel, Farewell…
Reflexivity refers to those moments in fiction and film when the work suddenly calls attention to itself as a fictional construct. For example, in literature, a character might suddenly step out of the story and address the reader.