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                <text>WORM COLLECTION</text>
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              <text>Robert Stam</text>
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          <name>Title</name>
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              <text>Reflexivity in Film and Literature: from Don Quixote to Jean-Luc Godard</text>
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              <text>Columbia University Press New York</text>
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              <text>1993</text>
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              <text>The 'reflexive tradition' in film and literature calls attention to fictional constructs, such as when realist narrative is interrupted to point to the mechanisms in the art. Protagonists step out of character to address the reader, for example, or the camera draws back to show a microphone in front of an actor's face.</text>
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              <text>reflextivity, creating illusion, film and literature, fictional constructs</text>
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              <text>1985</text>
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              <text>Used topics to discuss:&#13;
novelists Cervantes, Fielding and Nabokov&#13;
playwrights Jarry and Brecht&#13;
filmmakers such as Hitchcock, Bunuel, Fellini, Godard, Wenders, and Woody Allen&#13;
films, including Rear Window, Sunset Boulevard, Lilita, Day for Night, and The French Lieutenant's Woman.</text>
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              <text>285 pages</text>
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              <text>"A valuable contribution to interdisciplinary approaches to cultural studies..." - Caren Kaplan, Georgetown University</text>
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