Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CHODOROV VHS Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context CHOD0204 Description An account of the resource It appears as if the film with the depicted train has to work its way across the screen with a great deal of effort. It literally shivers its way into the picture as if it had been incorrectly fed into the projector and was forced to do a dance in order to be seen properly. Even viewers well-versed in avant-garde film are subjected to a few minutes of distraction and breathless expectation. And not because narrative cinema has been subverted for the umpteenth time, but because a sensual experience of delayed perception really is on offer here. A storm of material follows and then Catherine Deneuve descends from the train and falls in to the embrace of an approaching man. L’Arrivée is an apparently simple experience, and perhaps more exciting, sensual and intellectual because of that simplicity. AUSTRIA/FRANCE <a href="http://www.tscherkassky.at/content/films/theFilms/LArriveeEN.html">http://www.tscherkassky.at/content/films/theFilms/LArriveeEN.html</a> L' Arrivee 1997/8 2'9'', Outer space 1999 10' Dream Work 2002 11' total duration : 33' Experimental, Short Films Creator An entity primarily responsible for making the resource TSCHERKASSKY PETER Title A name given to the resource SHORT FILMS BY TSCHERKASSKY PETER Publisher An entity responsible for making the resource available P.O.E.T. Picture Date A point or period of time associated with an event in the lifecycle of the resource N/A Format The file format, physical medium, or dimensions of the resource VHS Subject The topic of the resource Reduced to two minutes L'Arrivée gives a brief, but exact summary of what cinematography (after its arrival with Lumiéres train) has made into an enduring presence of our visual enviroment: violence, emotions. Or, as an anonymous american housewife (cited by T. W. Adorno) used to describe Hollywood's version of life: "Getting into trouble and out of it again."