7 10 7325 https://tpb.worm.org/files/original/b1b14ddd3dc10638ad289a0382844a37.jpg 880b3c21d6feb1f1ec7c932907068c69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MUSIC AND WORDS 2 Subject The topic of the resource Adam Bohman – Music And Words 2 Description An account of the resource Music and words 2 is the much delayed 2nd installment in an ongoing series of archival documents of Bohman's early work. As with the first volume, this CD is divided into 2 separate areas of his work. Adam is probably best known as an improviser, playing prepared instruments and objects, but the music here uses little of these purely improvised techniques. On this CD the musical sections consists of idiosyncratic lo-fi songs alongside short collage pieces and other experiments, recorded on stereo and 4 track cassette recorders. Most of these pieces date from the early 80s, but the earliest recording is from 1977. The spoken word sections on this CD are centred on excerpts from 3 talking tapes - a trip to Southend, a concert series in Wiesbaden and a day in the life, in London. Anyone who has known Adam for any length of time will know that he frequently records his observations to a small portable cassette recorder. These are often recorded for friends and music contacts from all over the world. As with the musical contributions, all these cassettes exist in very small quantities, often they are editions of only one copy. Although there is an obvious difference in these two types of recorded material, there exists a light and humourous common thread that runs through many of the 28 tracks. This is the third solo release from Bohman on Paradigm Discs. He also appears on all 3 of the Morphogenesis CDs, as well as contributing to the first ever Paradigm release, Variations, a compilation of London based artists, from 1995. Date A point or period of time associated with an event in the lifecycle of the resource 2014 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Rock, Non-Music Identifier An unambiguous reference to the resource within a given context NON.BOH Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant UK Adam Bohman CD Music Music and Words 2 Non-Music Rock Spoken Word https://tpb.worm.org/files/original/dd3a67d3aeac925714c6a89a43f1d540.jpg e55dd8e325d3003836d5d6ec2a92f83b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource WERELDRITMES CUBA Subject The topic of the resource Various – Wereldritmes Cuba Description An account of the resource Martin Gort - Various Artists - Wereldritmes Cuba Date A point or period of time associated with an event in the lifecycle of the resource 1992 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource Spanish, Various Type The nature or genre of the resource Folk, Cuban, Latin, Country Identifier An unambiguous reference to the resource within a given context FOL.CUB Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands CD Country Cuba Folk Martin Gort Music Wereldritmes https://tpb.worm.org/files/original/d4412667ae02e68987d4ca6025db2cd5.jpg 29c7b6805e05719f3eb51983db9d2308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AUTOMATIC WRITING Subject The topic of the resource Robert Ashley – Automatic Writing Description An account of the resource Robert Ashley's Automatic Writing, originally released as an LP by Lovely Music in 1979. Over the course of Robert Ashley's career his preoccupation with language and the voice took many forms. He became known in his librettos as a wonderful, funny, moving writer. But with Automatic Writing he examines language at a very "primitive" level -- the human impulse make sounds to express his inner state, whether it be regret, embarrassment, fear, or happiness -- even though there is no one else to listen. Talking to oneself. "On Automatic Writing, Robert Ashley composes under the influence of his 'involuntary speech.' (In his liner notes, Ashley revealed that he suffered from 'a mild form of Tourette's.') The piece starts quietly, with scraps of Ashley's mild, tremulous voice arranged next to more fluid French translations and barely-there touches of Moog. After Ashley's phrases lengthen enough to encompass sense-making phrases, a bass-register groove briefly appears, vanishes, then returns. Few pieces so quiet have proven as captivating; many that intend to be equally startling can't capture Ashley's range of surprises.” -- Seth Colter Walls, from Pitchfork's "Fifty Best Ambient Albums of All Time" Automatic Writing compiles three early Robert Ashley works from 1967-79 -- some of his most experimental works. Composed and recorded form over a period of five years, "Automatic Writing", originally issued on Lovely Music in 1979, is the result of Robert Ashley's fascination with involuntary speech. He recorded and analyzed the repeated lines of his own mantra and extracted four musical characters. The result is a quiet, early form of ambient music. "Purposeful Lady Slow Afternoon" and "She Was A Visitor" are excerpts from an opera entitled "That Morning Thing", composed in 1966-67 as a result of Ashley's impulse to express something about the suicides of three friends. "Purposeful Lady Slow Afternoon", originally issued in 1968, is a woman's description of a sexual experience. Ashley attempts "to demonstrate the dichotomy between the rational-whatever can be explained in words-and its opposite-which is not irrational or a-rational, but which cannot be explained in words." The lead voice performed by Cynthia Liddell, the processed back-up chorus, the recurring bell tone, and the pervading tape hiss, create an unsettling mood. "She Was a Visitor" was originally issued on the electronic compilation Extended Voices in 1967. It is another form of description, intended to be understood as a form of rumor. The chorus is divided into groups, each headed by a leader. A lone speaker repeats the title sentence throughout. The separate phonemes of this sentence are picked up freely by the group leaders and are relayed to the group members, who sustain them softly and for the duration of one natural breath. The time lag produces a staggered, chant-like effect, with the sounds moving outward from the nearest performer to the farthest. Creator An entity primarily responsible for making the resource Robert Ashley Date A point or period of time associated with an event in the lifecycle of the resource 1996 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Electronic, Experimental Identifier An unambiguous reference to the resource within a given context ELE.ASH Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Automatic Writing CD Electronic Experimental Music Robert Ashley https://tpb.worm.org/files/original/f3a7ce5909859e9c0a9a0f2f369f11df.jpg 793864ad8b527dee346f115245b68387 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ACROSS THE OMNIVERSE Subject The topic of the resource Either/Orchestra – Across The Omniverse Description An account of the resource Since the band's inception in 1985, the guiding force behind Either/Orchestra has always been composer and tenor/soprano saxophonist Russ Gershon. Under Gershon's leadership, the ensemble has successfully balanced serious musicianship and respect for the jazz tradition with a quirky and sometimes off-the-wall sense of humor. Between 1987 and 1996, Either/Orchestra released six CDs on Gershon's Accurate Records label: Dial "E" (1987), Radium (1988), The Half Life of Desire (1990), The Calculus of Pleasure (1992), The Brunt (1994), and Across the Omniverse (1996), a ten-year retrospective of previously unreleased material. Gershon trumpeter Tom Halter and trombonist Russell Jewell are present throughout all of these recordings; alto/baritone saxophonist Charlie Kohlhase is also an important ongoing E/O member who made his first appearance on Radium. As the band underwent various personnel changes during its first decade, several noted musicians came and went, including keyboardist John Medeski, drummer Matt Wilson, trombonists Josh Roseman and Curtis Hasselbring, and saxophonist Andrew d'Angelo. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL. Creator An entity primarily responsible for making the resource Either/Orchestra Date A point or period of time associated with an event in the lifecycle of the resource 1996 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Jazz Identifier An unambiguous reference to the resource within a given context JAZ.EIO Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States CD Either/Orchestra Jazz Music Tracks Unreleased various artists https://tpb.worm.org/files/original/53514197f9ca2aa1620e45bb818ce7b5.jpg b4a650fc68d77bb6b7c581bde24d28fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3 X A Day Subject The topic of the resource Ray – 3 X A Day Description An account of the resource Raymond Lothar Slijngaard (born 28 June 1971) is a Dutch singer and rapper best known as one half of the Eurodance duo 2 Unlimited. Creator An entity primarily responsible for making the resource Ray Date A point or period of time associated with an event in the lifecycle of the resource 1997 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Hip Hop, Pop Rap Identifier An unambiguous reference to the resource within a given context HIP.RAY Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands 3XADay CD Hip-Hop Music Pop Rap Ray https://tpb.worm.org/files/original/b1898465a1e616f5942960b50ef3208a.jpg f57b2001dd600c367e38b2293c685667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ONCE UPON IT IS Subject The topic of the resource Hanifah Walidah - Once Upon It Is Description An account of the resource Hanifah Walidah is a musician, playwright, and social arts activist. Her twenty-year career has taken an ethnographic approach to the arts to create film, music, and stage works that help foster social change. The nationally noted Black Folks’ Guide to Black Folks, a one-woman show and feature-length film imagining and stimulating conversations among queer and straight communities of color in the contemporary U.S. Creator An entity primarily responsible for making the resource Hanifah Walidah Date A point or period of time associated with an event in the lifecycle of the resource 2003 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Soul, Hip-Hop, Electronic, Experimental Identifier An unambiguous reference to the resource within a given context SOU.WAL Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States CD Dance Electronic Funk Hanifah Walidah Hip-Hop Music Once Upon It Is Soul https://tpb.worm.org/files/original/71517fbbbe5f49ffcef79eb26cc8c65d.jpg 7b969b53524ee5ea26399ae54e18ef82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DAYS LIKE THESE Subject The topic of the resource Morley – Days Like These Description An account of the resource Morley began her performing career in spoken word and choreography. Her piece, Mother Nature, was part of the repertoire for Alvin Ailey’s Techniques and Performance touring ensemble. Legendary drummer Max Roach invited Morley to choreograph the 30th anniversary celebration of his album, We Insist!, which featured percussion and human rights icon Babatunde Olatunji. In 1997, Morley began writing lyrics for songs with friends Hod David, Joan Wasser, Amp Fiddler, Jeff Buckley, and Chris Dowd. And in September 1998, Morley released her first album, Sun Machine, on Sony/Work. When Sony/Work folded the following year, Morley returned to teaching and choreography until she self-released her second album, Days Like These, in 2005, which she then licensed to Universal Records/Polydor France in 2006. Morley was also the singing and speaking voice for Ralph Lauren’s My Romance fragrance from 2007‒2011. Creator An entity primarily responsible for making the resource Morley Date A point or period of time associated with an event in the lifecycle of the resource 2006 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English, French Type The nature or genre of the resource Jazz, Funk / Soul, Pop, Folk, World, & Country Identifier An unambiguous reference to the resource within a given context JAZ.MOR Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant France CD Days like These Jazz Morley Music https://tpb.worm.org/files/original/63f516c13d25fce8993d8c7936d175ec.jpg add5b48064a0b2858b84e576f31b38d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SUPHALA Subject The topic of the resource SUPHALA - Compilation CD Description An account of the resource CD with a few tracks from Suphala -- Suphala is a tabla artist, composer, and producer. She is a protégé of tabla players Ustad Alla Rakha and Zakir Hussain and is based in New York City. Creator An entity primarily responsible for making the resource Suphala Date A point or period of time associated with an event in the lifecycle of the resource 2005 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource Various Type The nature or genre of the resource Electronic, Folk, World, & Country, House, Downtempo, Ambient, Indian Classical Identifier An unambiguous reference to the resource within a given context FOL.SUP Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York CD Electronic Experimental Indian Classical Music New York Suphala Tabla The Now https://tpb.worm.org/files/original/8a838483d3f380373cecd9adcc0c2dda.jpg 5751402c3ed267bdcf2578e2e3e27384 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HER HOLY WATER: A BLACK GIRL'S ROCK OPERA Subject The topic of the resource Her Holy Water: a Black Girl's Rock Opera - Imani Uzuri Description An account of the resource In this provocative rock opera, writer-performer Imani Uzuri takes a spiritual, semi-autobiographical journey from isolation to meditative stillness to exuberant self-expression. Backed by a full ambient band with a string quintet and a sweeping mixed-media video montage, Her Holy Water, is a lyrical, often comedic concert that incorporates drum and bass arias, transformational ballads, and soulful rock as well as coming-of-age stories that recall the artist’s early years in rural North Carolina. Creator An entity primarily responsible for making the resource Imani Uzuri Date A point or period of time associated with an event in the lifecycle of the resource 2008 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Spiritual, Gospel, Rock, Opera Identifier An unambiguous reference to the resource within a given context SPR.UZR Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States CD Genre-Bending Gospel Imani Uzuri Music Opera Rock Spiritual https://tpb.worm.org/files/original/56d1edd9837a14cb93987846a5387b63.jpg b254c5b8facc11e59ec1741826efac62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource REVERENCE Subject The topic of the resource Richard Bona – Reverence Description An account of the resource Reverence is the second studio album by Cameroonian jazz bassist and musician Richard Bona. It was released on September 7, 2001, through Columbia Jazz. The song "Reverence" features guest appearance by prominent jazz guitarist Pat Metheny. Creator An entity primarily responsible for making the resource Richard Bona Date A point or period of time associated with an event in the lifecycle of the resource 2001 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Ethno Jazz, World Fusion, Jazz, Folk, World, & Country Identifier An unambiguous reference to the resource within a given context JAZ.BNA Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant France African CD Contemporary Jazz Music Richard Bona