6 10 7325 https://tpb.worm.org/files/original/d06a09be1168c52b5e00b5339253222d.jpg b0936f9c3b3b8d3bc5eb907743bf961f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ZINE: PERZINES Zine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Don't Put Cilantro in My Dish Please! Description An account of the resource A mini zine about the creators dislike of cilantro Creator An entity primarily responsible for making the resource Alexandra Nikolova \\ Ål Nik Format The file format, physical medium, or dimensions of the resource Zine Language A language of the resource English Identifier An unambiguous reference to the resource within a given context PER 29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rotterdam perzine https://tpb.worm.org/files/original/3c784d3ad665c4cc625d0b45bf1b1b6a.jpg c7c67f2eafbca45bc20cc3dfd822b4e5 https://tpb.worm.org/files/original/2178d1c718bca2483c11745d8ae90590.jpg e0992b6a74c01f889704f8dbccbb5d31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ZINE: MUSIC Zine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sound Jams Description An account of the resource Methods of collective sound-based-publication-making for practitioners from various bacgrounds Creator An entity primarily responsible for making the resource Alaxandra Nikolova \\ Ål Nik Date A point or period of time associated with an event in the lifecycle of the resource April 2023 Format The file format, physical medium, or dimensions of the resource Experimental Zine Language A language of the resource English Identifier An unambiguous reference to the resource within a given context MUSIC 11 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rotterdam Music music zine https://tpb.worm.org/files/original/fd1d862114e29d92df9aef130c0c38ab.jpg f34304001774e80e36ac986a627d66eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource AUGUST ANANKE Subject The topic of the resource Jaap Blonk – August Ananke Description An account of the resource Eight meditations on just intonations. Electro-instrumental music of shining serenity. Date A point or period of time associated with an event in the lifecycle of the resource 2014 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource Dutch Type The nature or genre of the resource Electronic, Experimental Identifier An unambiguous reference to the resource within a given context ELE.BLK Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands August Anake CD Electronic Experimental Jaap Blonk Music https://tpb.worm.org/files/original/c5f5fda4d99fc46d0a86e173e17502af.jpg b07d213feb6cff08c207b7b79a20ed44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BRION GYSIN LIVE IN LONDON 1982 Subject The topic of the resource Brion Gysin – Live In London 1982 Description An account of the resource Most of the texts were written upon meeting Burroughs, at the time of the invention of the cut-up. The influence that Brion Gysin has had on contemporary music may never be taken fully into account, particularly when he introduced Brian Jones, of the Rolling Stones, to the shepard's music of Joujouka. Those times were still audacious: the music was created during the sound-checks ! Musically, the choice of traditional instruments expresses the desire to be free of machines (because, as Burroughs says, 'We ourselves are machines.'). This recording is evidence of the extraordinary creativity and spontaneity of the musical and artistic scene at that time. It hasn't aged a bit. Beyond the nostalgia inspired by the invocation of that bygone cultural scene, there is a call for a creativity of which it is difficult to find examples today. Live in London 1982 is the Beat Generation revamped. Recorded four years before the death of Beat legend Brion Gysin, this live set features the poet reciting poems from the late '50s and early '60s, accompanied by a makeshift no wave backing band consisting of Slits bassist Tessa Pollitt (also playing cello), Rip Rig Panic (and later free improv) drummer Steve Noble, Penguin Cafe Orchestra percussionist Gile, and guitarist Ramuntcho Matta, also credited for writing the band's vamps and grooves. The music is resolutely avant rock: dissonant, provocative, and largely improvised. The musicians' interventions are tentative at first ("Minutes to Go, 1," "Cut-Ups (1959)"), then, following an extended unaccompanied recitation, the musical aspect of the show takes off. Paradoxically, that 25-minute solo spot for Gysin, entitled "Teaching," provides a highlight: the man clearly enjoys revisiting his old writings and, at age 66, definitely has the cultural authority of a teacher. The sound quality in the first two-thirds of the album is fine. However, things degenerate starting with "Ad Lib," which seems to be an audience recording from the back of the venue. The sound quality improves for "Impro: 1," but the tapes are badly warped, which makes the track very annoying. The last two tracks sound better and contain, in fact, the best material on the album: the band gels better and Gysin paces his recitation to the groove. Live in London 1982 is an interesting document, but it will appeal only to fans of spoken word or connoisseurs of William S. Burroughs and Brion Gysin's legacy. Creator An entity primarily responsible for making the resource Brion Gysin Date A point or period of time associated with an event in the lifecycle of the resource 2007 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Jazz, Rock, Funk / Soul, Non-Music Identifier An unambiguous reference to the resource within a given context JAZ.GYS Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Belgium Album Brion Gysin CD Jazz Live Music https://tpb.worm.org/files/original/9b6c1b4b402017fa6b2e473518fb3a9b.jpg 91cc06f544bcf0e1ab599c84ca438caa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LIVE AT PBS - KEVIN BLECHDOM Subject The topic of the resource Kevin Blechdom – Live At PBS Description An account of the resource Kevin Blechdom (born Kristin Grace Erickson; 1978 in Florida) is an American experimental electronic musician and performance artist. She is based in Santa Cruz, California. Creator An entity primarily responsible for making the resource Kevin Blechdom Date A point or period of time associated with an event in the lifecycle of the resource 2008 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Electronic, Leftfield, Electro, Experimental Identifier An unambiguous reference to the resource within a given context ELE.BLE Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Australia CD Electronic Experimental Kevin Blechdom Music https://tpb.worm.org/files/original/2e0077a2cf396e7e617fc2147080e513.jpg 41feca588b019bc0a0412fc2da013035 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BREAK THROUGH IN GREY ROOM Subject The topic of the resource William S. Burroughs – Break Through In Grey Room Description An account of the resource Inspired by the original Industrial Records release of William S. Burroughs’s Nothing Here Now but the Recordings, Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut-up' technique. Sommerville's technical background enabled him to contribute to the early development of sound-and-light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati. Creator An entity primarily responsible for making the resource William S. Burroughs Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English, Various Type The nature or genre of the resource Electronic, Non-Music, Folk, World, & Country Identifier An unambiguous reference to the resource within a given context NON.BUR Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Break Through In Grey Room CD Experimental Music Non-Music William S. Burroughs https://tpb.worm.org/files/original/ffc87f6da223305a572be737bec7a9b2.jpg 30b55e2cd6266946fa1e83d781664576 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource OYE LISTEN - APPETIZER 2002 Subject The topic of the resource Various – Appetizer 2002 Description An account of the resource Release from an Dutch magazine and contains different styles. Creator An entity primarily responsible for making the resource Various Artists Date A point or period of time associated with an event in the lifecycle of the resource 2002 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource Spanish, Portuguese, Various Type The nature or genre of the resource Latin Identifier An unambiguous reference to the resource within a given context LAT.APP Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands Appetizer 2002 CD Compilation Latin Listen Music Oye https://tpb.worm.org/files/original/e130fd1678d380fd3981c12a5efe6c0b.jpg 6ef9ce927ba6a455661e8b58c6bf07db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource KAWAKIB AL MAGHREB Subject The topic of the resource Various – Kawakib Al Maghreb Description An account of the resource Musicians include: Michel Banabila/Edu Calicher/Remko Deyl/Erkan Ogur/Yasar Saka and many others. In particular: Hans Greeve - drums on 1/2 Taourirt - drums, percussion on 3/4 Lazaar - drums on 5/6 Cheaky Mauro -drums, percussion on 7/8 Creator An entity primarily responsible for making the resource Various Artists Date A point or period of time associated with an event in the lifecycle of the resource 1999 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource Various Type The nature or genre of the resource Raï, Electronic, Reggae, Folk, World, & Country Identifier An unambiguous reference to the resource within a given context FOL.KAW Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands CD Compilation Electronic Folk Kawakib Al Maghreb Music various artists https://tpb.worm.org/files/original/d61c808655e92942502a60b8b24d7249.jpg 377b1617a4b2e8f769cae4f934545b34 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DEATHBED RECOLLECTIONS Subject The topic of the resource J.C. & Anphibius – Deathbed Recollections Description An account of the resource Presenting the infamous, the mellifluous and harmonious, the bravura balladry of ineffable inculcations that lambently caress the soul of fair Phoebus Apollo: The music of Messrs. J.C. and Anphibus. Social Spring Cleaning: Far from the nipple of the nurturing breast, it's time to sweep some things under the carpet. Schoolgirl Out of Uniform: Unconventional and enlightening behavior for a mentor. My Yankee Fever: Urtication and titillation abound in this song of lament for a relationship "... out of season." Watchable: Autoeroticism meets a whimsical delight in all its possibilities. The Worm That Turned On: An anthem for helminthians with an eye to the open chance. Something I Forgot: An ode to turning back the clock and righting wrongs but "... perhaps it doesn't matter." Slide Into: This enchanting song describes the tiniest of abodes, which while small, still manages to contain heaven. Year of Pain: A song for those who yearn to move on from lovers who "... no longer set the pace." Birthday Miss Gifting: Lucubrations on a lost love. From Decadence to Decay/Interlude: A slowly buiding yet powerful argument against circumstances, with a twist. Entire Lyric - Honestly! : Incredulity in the face of some difficult home truths. The Guttersnipes Song: An exploration of the erotic temptations of one who has found a lower calling in life. History: A difference of opinion regarding directions leads to a wistful lament for the days "... of yore." Creator An entity primarily responsible for making the resource J.C. & Anphibius Date A point or period of time associated with an event in the lifecycle of the resource 2001 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Rock Identifier An unambiguous reference to the resource within a given context ROC.JCA Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States CD Deathbed Recollections Experimental J.C. Music Rock https://tpb.worm.org/files/original/d3ca966a9945e529534f9ad4d3ffe2a7.jpg 07c9529aedbddba06ea6dea6c6463be0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SFERICS / MUSIC FOR SOLO PERFORMER Subject The topic of the resource Alvin Lucier – Sferics / Music For Solo Performer Description An account of the resource Alvin Lucier on Sferics and Music For Solo Performer: "Sferics is the shortened term for atmospherics, natural radio-frequency emissions in the ionosphere, caused by electromagnetic energy radiated from nearby or distant lightning. . . . My interest in sferics goes back to 1967, when I discovered in the Brandeis University Library a disc recording of ionospheric sounds by astrophysicist Millett Morgan of Dartmouth College. I experimented with this material, processing it in various ways -- filtering, narrow band amplifying and phase-shifting -- but I was unhappy with the idea of altering natural sounds and uneasy about using someone else's material for my own purposes. I wanted to have the experience of listening to these sounds in real time and collecting them for myself. When Pauline Oliveros invited me to visit the music department at the University of California at San Diego a year later, I proposed a whistler recording project. Despite two weeks of extending antenna wire across most of the La Jolla landscape and wrestling with homemade battery-operated radio receivers, Pauline and I had nothing to show for our efforts. . . . " Sferics was recorded by the composer on August 27, 1981, in Church Park, Colorado. The sound material was collected continuously from midnight to dawn with a pair of homemade antennas and a stereo cassette tape recorder. At regular intervals the antennas were repositioned in order to explore the directivity of the propagated signals and to shift the stereo field. "Music For Solo Performer was first performed on May 5, 1965 at the Rose Art Museum, Brandeis University, with the encouragement and participation of John Cage. I sat on a landing between the two floors of the museum, electrodes attached to my scalp. The mono output of the alpha amplifiers was routed to the inputs of eight home stereo amplifiers, the outputs of which were sent to 16 loudspeaker-percussion pairs deployed around the museum. During the course of the 40-minute performance Cage randomly raised and lowered the stereo amplifiers' volume controls channeling the alpha signal to various instruments around the room. . . . " This recording of Music For Solo Performer was produced under the supervision of Wesleyan professor of music Ron Kuivila with the assistance of graduate students Ivan Naranjo and Phillip Schulze and undergraduate Forrest Leslie, at the Wesleyan University Experimental Music Studio, on December 8 and 9, 2007. Creator An entity primarily responsible for making the resource Alvin Lucier Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Electronic, Experimental Identifier An unambiguous reference to the resource within a given context ELE.LUC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States Alvin Lucier CD Electronic Experimental Music