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                <text>With The Latest Research from the Department of Electrical Engineering (2011), Michel Banabila dived deeper into more experimental electronic territory he started exploring on releases like Spherics (2001, 2003) and Signals from Krakrot (2008). The sounds on this album are radically different from his more romantic, more acoustic ethno-jazz releases, but they never lost the characteristic 'human touch'. On More Research from the Same Dept., Banabila is vigorously searching for the heart and soul of electrical machinery, like an explorer presenting his discoveries. He places himself in the background… letting the machines tell their own story. There is no thriving beat to guide you this time. Instead, you'll be immersed into manipulated and layered sounds of fluorescent tubes, humming fridges and plug interferences. The sounds of the Electrical Engineering Department are at their best when you play them loud enough... Just follow Banabila to the heart of the Department ... and maybe hear the Cyborg talk to you.</text>
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                <text>amau Daaood started his writing career in the 60's with the Watts Writers Workshop. Daaood credits Horace Tapscott with being one of his mentors and has performed regularly with the Pan Afrikan People's Arkestra since the 60's.  For thirty years now, he has been a presence among Los Angeles poets. &#13;
&#13;
Dedicated to the community, he established the World Stage as a place for artists and musicians to meet/rehearse and share their work. The workshop–performance space seats only fifty, but has provided a rehearsal space and a nurturing environment that has fostered important jazz groups and served as a performance space for jazz greats such as Pharoah Sanders &amp; Nina Simone, and poets such as Pulitzer prize-winner, Yousef Komunyaka.  It has given birth to at least two young jazz groups, Black/Note and B Sharp Quartet and several poets &amp; novelists, including Pulitzer prize nominated Ruth Forman,  novelist Jenoyne Adams, &amp; Michael Datcher.   During the week, there are instrumental and vocal workshops, Wednesday night poetry workshops and Thursday night jam sessions. &#13;
&#13;
When a similar venture, Artworks Four folded, Daaood  began the World Stage by gathering $3,000 from a small group of people, including Billy Higgins.  Using the stage and the chairs from Artworks Four, The World Stage was born.&#13;
&#13;
Daaood has written two volumes of poetry and has a spoken word CD entitled, "Leimert Park." He performs spoken word poetry with his "Army of Healers" around the world, and has just published his first book of poetry for the renowned "Pocket Poetry" series with City Lights Press to much critical acclaim.</text>
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                <text>The Stormtroopers was a hip-hop band from Zeeuws-Vlaanderen. Shortly after its formation in 2000, the trio won the Grand Prix of Zeeuws Vlaanderen .&#13;
Their song Zomer in Zeeland also reached the national charts. The accompanying video clip was mainly broadcast on TMF with the voice of weatherman Piet Paulusma .&#13;
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The rappers who profiled themselves as Zeeland chatterboxes were Sven Swensee Cruson , Dennis Densel van der Meulen and DJ Frank Drs. P de Puijt. Swensee later continued only in Zeeland.</text>
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99. the combination of noise and melody and rhythm is nothing new, plus a singing or speaking voice, but the theme of the record is excellently chosen, the ants as a role model for people who can't get ahead, -ants and politics- the title of the urknall/hafenschlammrekords collaboration.&#13;
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="144695">
                <text>AVE RARA (Rare Bird)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Teresa Ines - Ave Rara (Rare Bird) - Independent Release</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ave Rara has a clear feel of soft Brazilian jazz with most arrangements taking advantage of the small ensemble to explore the nuances in each track performed here. For example, the opening track, Lenine’s “Tuaregue e Nagô,” adds a very nice instrumental solo in which voice and flute play off each other’s notes. Meanwhile, piano and percussion are also highlighted with great solos that will keep you listening attentively throughout the album. Even a samba classic such as Baden Powell’s “Consolação” receives a very effective jazzy cover without ever losing the delicious samba beat. For the very slow ballads, Ines pour her heart out in beautiful performances. Her own “Cores Frias” sings about love and disillusion of not knowing what is the eyes of the loved one. The same theme is approached again in “Com Sabor.” &#13;
&#13;
O sonho é Pra cada mulher O que se faz O que se quer E vai Vai seguindo como dá Junta tudo o que se tem E espera um novo alguém </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="144698">
                <text>Teresa Ines</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="144699">
                <text>2004</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
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                <text>CD</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Portuguese, Brazilian</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="144702">
                <text>Jazz, Brazilian Jazz</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="144703">
                <text>BRJ.INE</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="144704">
                <text>Brazil</text>
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