1 10 105 https://tpb.worm.org/files/original/73ca0b41ba981ea9319b9d0fdf099a56.jpg 8f458550505c8d8feb7433fd9a06b1c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource POLYPHTONG Subject The topic of the resource Jaap Blonk – Polyphtong Description An account of the resource Polyphtong is a purely vocal piece with no electronically generated sounds. It was conceived as a quadraphonic piece for live performance. It was premiered at Stanford University in March of 2012, and solely based on live voice sounds fed into a MaxMSP patch. The origin of the title is: an extension of ‘diphtong’. In the summer of 2013 I radically reworked the piece to create the stereo version presented on this CD. All sounds heard in it are based on my vocal and other mouth sounds. In some cases attacks were changed, which make the sounds less recognizable as vocal. Algorithmic composition was used to create the layering of sounds. Creator An entity primarily responsible for making the resource Jaap Blonk Date A point or period of time associated with an event in the lifecycle of the resource December 2013 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Experimental Identifier An unambiguous reference to the resource within a given context EXP.BLO Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands CD Experimental Music Netherlands https://tpb.worm.org/files/original/8c70fb987e662b1a5bc37a483e961502.jpg ac07d96b3cea093a8a5a00c0ce2afa76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MILES 2 GO Subject The topic of the resource Mark Ledford – Miles 2 Go Description An account of the resource It took sessionman/singer/producer/jingle-writer Ledford two years to put together his first record as a leader, and although the eclectic results betray the patchwork recording schedule, it is an absorbing, at times exciting debut. Miles Davis is the unifying element; most of the selections are Miles chestnuts and standards that he made his own, and Ledford's moody, muted trumpet could be reminiscent of no one else. Ledford grafts acid-jazz hip-hop beats onto the tunes -- the treatments fit remarkably well on the natural medley of "So What" and John Coltrane's "Impressions," the swinging "Freedom Jazz Dance" and even "Blue On Green" -- adds lyrics to some, and often captures a surprising amount of his touchstone's introspective ambience. One can easily imagine Miles doing exactly the same thing had he lived further into the '90s (his last record, Doo Bop, and his fond looks backwards in the last months of his life attest to that). Ledford also brackets the Miles repertoire with R&B-style originals like "Way I Feel" and "U Gotta Be Crazy;" the former has a repetitive dance beat and a Bobby McFerrin-inspired vocal conclusion. Among the musicians turning leftward into acid-jazz country with Ledford are drummers Jeff "Tain" Watts and Lenny White, bassists Victor Bailey and the Rolling Stones' Darryl "The Munch" Jones (a Miles alum), tenor Michael Brecker, and Ledford's now-and-then employer Pat Metheny. Creator An entity primarily responsible for making the resource Mark Ledford Date A point or period of time associated with an event in the lifecycle of the resource 1997 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Jazz Identifier An unambiguous reference to the resource within a given context JAZ.LED Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Jazz Music https://tpb.worm.org/files/original/f24ec53174527645ece37adda47d6880.jpg 393273f7377b3138f2eba8d876f7f4f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GOLD Subject The topic of the resource Commodores – Gold Description An account of the resource Lionel Richie/Commodores Gold is a two disc compilation album by American R&B singer Lionel Richie and American Funk and soul band Commodores, released on January 10, 2006.[2] It contains songs from both his successful solo career and as part of the band the Commodores.[3] Creator An entity primarily responsible for making the resource Commodores Date A point or period of time associated with an event in the lifecycle of the resource 2008 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Rhythm & Blues, Soul, Funk Identifier An unambiguous reference to the resource within a given context SOU.COM Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Funk Music Rhythm & Blues Soul https://tpb.worm.org/files/original/f1de8298e2066a0e81799659f31bb9d2.jpg 77ab2cdf23308891f8d23882b9d80b7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource REALITY SHOW Subject The topic of the resource Omékongo aka Young M.A.Y.A.* – Reality Show Description An account of the resource Great Guy. GREAT MUSIC! HARD TO FIND. Creator An entity primarily responsible for making the resource Omékongo aka Young M.A.Y.A. Date A point or period of time associated with an event in the lifecycle of the resource 2006 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Hip-Hop Identifier An unambiguous reference to the resource within a given context HIP.OMÉ Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Hip-Hop Music https://tpb.worm.org/files/original/a37ef85500d3f3c7409c79c766d6b6b2.jpg b823d7818a8d0e42b5c39026a1e8892f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SCREECHIE & KOJAK Subject The topic of the resource Screechie & Kojak – Screechie & Kojak Description An account of the resource At a very young age, Delton Screechie (born Delton Lowe, March 1959) listened to such artists as Baba Brooks, Don Drummond, and Roland Alphonso. It was the golden era of Ska music, which was followed by Rock Steady. He was encouraged to sing by his school teacher and was in many school concerts. When he left school in 1972 it was early Reggae that dominated the local dance halls. The top sound systems in Jamaica were King Tubbys, Tippertone, King Attorney (later known as Socialist Roots), and Emperor Faith. Like so many Jamaican artists Delton started his musical career deejaying for a sound system, first Stur Gav, then Jammys, Black Scorpio, and Papa Flame. Because of the political violence associated with the sound systems at that time, he gave up deejaying, returned to singing, teaming up with Floyd Anthony Perch aka Kojak for the 1979 recordings Evil Woman and Mix Up. Artist/producer Kojak’s first stage name was Pretty Boy Floyd. His chanting for the local sound systems earned him a loyal following. One day he trimmed his hair short and changed his stage name to Nigger Kojak, referring to the baldheaded star of the 70s television series Kojak. His debut single, Massacre, proved a local hit and led on to many others, the most notable being the Joe Gibbs produced 1978 dancehall hit Hole In The Bucket (a version over Dennis Brown’s international hit Ain’t That Loving You), combined with Liza. The latter was in fact two Mama Lizas, Beverly Brown and Jacqueline Boland, but whoever Kojak’s female partner was, she was always labeled simply as Liza. The male and female deejay combination was new and gave Kojak the fresh sound that catapulted him into the international spotlight. Hit after hit came for Kojak & Liza, and then he also started to produce local artists for release on his own label. As already mentioned above one of those artists was Delton Screechie. Kojak and Delton produced many hits together including Delton’s first U.K. dancehall hit Olive Baby, which was followed by I’ve Got A Letter, both featured on this great collection of hit tunes. The tracks are recorded at Channel One and voiced and mixed at King Tubbys. Riddims are laid by the outstanding Soul Syndicate Band, except for Work Hard which comes over a digital riddim built by Steely & Clevie. Delton Screechie, a distinctive singer with a great voice, shows his vocal abilities in a variety of styles, ranging from roots to uptempo lovers. The album opens very strong with Living In The Ghetto, a real killer underpinned by an awesome riddim track, which is followed by a matching deejay cut from Kojak entitled Bunny Rhygin. Also Get Up, Stand Up is a solid effort delivered over the wicked, booming bass line of the Shank-I-Shek riddim. Next drops the wonderful Jah Is My Light, another excellent track across an uptempo riddim that features great horn parts. Over the same riddim comes Black Skin, Blue-Eyed Girl, featuring Kojak & Liza at their very best. We’re treated to the extended version of that song, dubbed up to full effect by King Tubby. Then Delton Screechie returns with two solid tracks : Forward On and the aforementioned Olive Baby. The latter is a fine love song, but it is outmatched by A Thousand Gal, its entertaining deejay version. A thumping bass line can be experienced while listening to I’ve Got A letter and even more, when it comes to its killer version, Pick It Up Liza. The lovers tune Teardrops is a great effort and the same goes for Kojak & Liza’s Edge Up To The Rub. The cd rounds off with the A.H. Douglas produced Work Hard, a firm tune that dates from a later era and thus should not have been included on this set. Creator An entity primarily responsible for making the resource Screechie & Kojak Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Reggae Identifier An unambiguous reference to the resource within a given context REG.SCR Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Music Reggae USA https://tpb.worm.org/files/original/27c0735b7cb2b7139168886160958603.jpg d68020b6760dd8d51faefa931863d8bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource JAILS, HOSPITALS & HIP-HOP Subject The topic of the resource Danny Hoch – Jails, Hospitals & Hip-Hop Description An account of the resource Theatre, performance art, or spoken word--whatever you call it, the work of actor/writer Danny Hoch is a solo tour de force. In Jails, Hospitals & Hip-Hop and Some People, New York City's rich oral traditions come alive on the page, as Manhattan Boricua English, Brooklyn Polish, Bronx Dominican Spanish, Queens Trinidadian English, Jamaican patois, and Hip-Hop all get flipped and flexed center stage. The range of contemporary experience on display in Hoch's monologues is astonishing: A white teenager dreams of being a black gangsta rapper. A wheelchair-bound kid explains how his mother smoked crack during pregnancy. A pale-skinned Bronx street vendor enrages a policeman who can't figure out what race he is. A young Puerto Rican man on crutches rhapsodizes about his dancing talent. Now the thousands of fans who have enjoyed Mr. Hoch live or on HBO, as well as the many more who've only heard about him, can enjoy both Jails, Hospitals & Hip-Hop and his earlier, equally brilliant work, Some People, in a single volume that confirms his status as a unique and important artist. Creator An entity primarily responsible for making the resource Danny Hoch Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Non-Music Identifier An unambiguous reference to the resource within a given context NON.HOC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Comedy Music Non-Music https://tpb.worm.org/files/original/78953e4c5bad278b4590dc8cd6ad47b7.jpg 4420a2d8467b4fd683ab6652c1e56824 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource THE RAP CANTERBURY TALES Subject The topic of the resource Baba – The Rap Canterbury Tales Description An account of the resource Science rapper and inventor of several novel hip-hop variants. Canadian transplant to New York. Pathological optimist. Creator An entity primarily responsible for making the resource Baba Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Hip-Hop Identifier An unambiguous reference to the resource within a given context HIP.BAB Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canada Canada CD Hip-Hop Music https://tpb.worm.org/files/original/8a6912ff71eed96d71c6987084eb3d84.jpg e98323df08680a31ab31ba527b49517f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource III Subject The topic of the resource De Jongens Driest – III Description An account of the resource The Boys Driest grew up with wind instruments. Their trio is a mini-fanfare. Rooted in the fanfare tradition, drawing on wind music from all over the world. The three musicians, Janfie van Strien (1969) - soprano sax, Arno Bakker (1968) - sousaphone and Joop van der Linden (1966) - trombone, have found a sound all their own, and sometimes sound like a full orchestra. The trio plays together like a chamber orchestra, improvises like a jazz orchestra and sounds like a brass band. They play their own work, and adapt world songs from klezmer and Balkan traditions, African highlife and Latin American music. Light-heartedly performed by three seasoned musicians. The Boys Driest explore their (band) sound and possibilities. They played with drummers (Michael Vatcher, Joost Lijbaart), brass and reed players (Roy Paci, Matt Darriau, Ronald Snijders), singers, stand up comedians and bands (including Buena Vista Social Club). They also initiated projects with a full brass band (CWO) and the Con Tempo Stringquartet from Ireland, all with their own compositions. And because they have been around since the 90s, there were many concerts. North Sea Jazz Festival, Lowlands, Bimhuis and Grand Theatre, the Summer Jazz Bike Tour, too many to mention. They traveled to the Russian Volga, South Africa, Morocco and Great Britain, among other places. The individual musicians of the trio can also be found in orchestras such as the Amsterdam Klezmer Band, Orgel Vreten and Chef'Special Creator An entity primarily responsible for making the resource De Jongens Driest Date A point or period of time associated with an event in the lifecycle of the resource 2005 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Klezmer, Avant-garde Jazz Identifier An unambiguous reference to the resource within a given context JAZ.DEJ Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Netherlands Avant-garde Jazz CD Jazz Klezmer Music https://tpb.worm.org/files/original/9aa221d7d0a443c01e05574ebaee8ef5.jpg 94baf6dc22f1176218663ebdd050dba2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource THE TASTE OF TG Subject The topic of the resource Throbbing Gristle – The Taste Of TG (A Beginner’s Guide To The Music Of Throbbing Gristle) Description An account of the resource The Taste of TG (subtitled A Beginner's Guide to the Music of Throbbing Gristle) is a compilation album by Throbbing Gristle.[3] The cover art is a manipulation by Peter Christopherson of a still from the Pier Paolo Pasolini film Salò o le 120 giornate di Sodoma. Creator An entity primarily responsible for making the resource Throbbing Gristle Date A point or period of time associated with an event in the lifecycle of the resource 2004 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Experimental Identifier An unambiguous reference to the resource within a given context EXP.THG Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United Kingdom CD Compilation Experimental Music TG https://tpb.worm.org/files/original/af1d1d17fec7bd658e71748a598a3f52.jpg 53c7f87ef3e8e63d5b7a8753916800d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CD: DRAFT CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BLOOMBEAUTIFUL Subject The topic of the resource Liza Garza – BloomBeautiful Description An account of the resource Emmy Award-nominated Liza Garza is a rare soul. An HBO Def poet and vocalist, Liza possesses the uncommon ability to keep listeners captivated while provoking social change and action in the community. “You Never Knew Until I Spoke”, her first book of poetry, was published in 2005 followed by the release of her debut album ‘BloomBeautiful’ in October 2006. Gracefully infused with the spirit of hip-hop and a tapestry of poems and ballads reminiscent of Mexican folk tunes, ‘BloomBeautiful’ brilliantly displays Liza’s diversity through song and spoken word. Liza has shared the stage with several respected musicians and luminaries including Stevie Wonder, Roberta Flack, Amir Sulaiman, and Jill Scott and was a featured poet on HBO’s ‘Russell Simmons Presents Def Poetry’. Possessing a degree in Performance Activism from the University of Michigan, Liza spends the balance of her time speaking on topics related to women, hip-hop and culture at colleges, universities and conferences. She is passionate about building new community and a space to document the voice of the unrepresented. Creator An entity primarily responsible for making the resource Liza Garza Date A point or period of time associated with an event in the lifecycle of the resource 2006 Format The file format, physical medium, or dimensions of the resource CD Language A language of the resource English Type The nature or genre of the resource Funk, Soul Identifier An unambiguous reference to the resource within a given context SOU.GAR Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USA CD Funk Music Soul