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                <text> Dutch Masters: Street Art &amp; Urban Painting </text>
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                <text>Fifteen artists currently working in the Netherlands were invited to take part in the first-ever museum exhibition on this subject to be held in the country.</text>
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                <text>Edited by Peter van Rhoon and Anneloes van Gaalen</text>
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                <text>ART 30</text>
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                <text>Founder and theorist of the Situationist International, and author of the massively influential book The Society of the Spectacle, Guy Debord (1931–1994) was also a connoisseur of military strategy. In his first volume of autobiography, Panegyric, Debord recounted his interest in classical war theory as espoused by the Prussian military theorist, Carl von Clausewitz. Debord devised and wrote the board game and book A Game of War in collaboration with his wife, Alice Becker-Ho, who has assisted with the production of this publication. As he writes in Panegyric: “I have studied the logic of war. Moreover, I succeeded, a long time ago, in presenting the basics of its movements on a rather simple board game. I have played this game and, in the often difficult conduct of my life I have utilized lessons from it.”</text>
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                <text> Alice Becker-Ho and Guy Debord</text>
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                <text>Translated by Donald Nicholson-Smith</text>
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                <text>ART 38</text>
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                <text>Director and performance artist Christoph Schlingensief planned a four-part year-long project to celebrate the foundation of the CHURCH of FEAR Exhibition on March 20, 2003. This exhibition catalogue also contains interviews with Schlingensief.</text>
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                <text>AC: Christoph Schlingensief, Church of Fear</text>
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                <text>Verlag der Buchhandlung Walther Koning</text>
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                <text>Edited by Alice Koegel and Kasper Konig&#13;
Translations by Michael Eldred &#13;
Photography by Nikos Choudetsanakis </text>
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                <text>Alles ist Experiment&#13;
Der Künstler-Ingenieur </text>
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            <description>An account of the resource</description>
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                <text>Photographer Rodchenko was instrumental in reshaping the entire aesthetics of the young Soviet Union. As one of these early “production artists”, he worked in all areas of art and art education after 1917. He was an enthusiastic propagandist of the new way of life and produced tirelessly. The volume shows a small, varied excerpt from this rich oeuvre.</text>
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                <text> Alexander Rodtschenko </text>
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                <text>ART 33</text>
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                <text>Another Escape&#13;
A Create Exploration &#13;
Volume Two</text>
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                <text>This volume has a keen focus on process. It steps out into city spaces and discovers how we may foster a profound connection with nature in unlikely urban places through rooftop beekeeping and urban foraging. It features one man’s epic cycle-adventure around the UK to meet with tucked away craftspeople who are still practicing their skilled work; it looks at the value of upcycling and crafting bespoke wares; it explores the stories around pigments and their traditional processes of production, from ochre mining with a seventh generation miner to the inky pigments of cephalopods to the artisanal production of woad; and it discusses creativity as physical experience through the sport of bouldering. </text>
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                <text>Edited by Rachel Maria Taylor and Jody Daunton</text>
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                <text>Apocalypse How is the humorous how-to guide to living your best life possible (after the Apocalypse renders your current quality of life null and void.) Organized like a travel or lifestyle guide, the book tells you all you need to know in order to fend off zombies, forge for non-radioactive food, and make the most of your new dwelling (while ignoring the ash outline of its previous occupants on the far wall.)</text>
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                <text>Art has its own power in the world and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function.&#13;
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                <text>When Joep van Lieshout founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style… dirty, delicious and direct." The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. </text>
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                <text>The New Music Festival ATM, which stands for 'audio-trading-manual', is Arts Incubator's biggest annual event. It is a platform that presents new music with various programs including performances, exhibitions, seminars, and workshops. The first instalment of ATM was held in 2017 at the Post Territory Ujeongguk, while the 2nd, 3rd, and 4th festivals has taken place in the Oil Tank Culture Park from 2018.&#13;
&#13;
Arts Incubator is a new music artist collective located in Seoul, South Korea. We maintain a strong focus on the creation and promotion of new works within the genre of Contemporary Arts. Since its inception in 2016, Arts Incubator routinely curates events, workshops, seminars, and public colloquiums involving contemporary artists of local and international acclaim.</text>
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                <text>On September 10, 2001, a group of graffiti artists offered a portrait of Princess Maxima to then Alderman Bilker. This was the start of an organized graffiti project, supported by Stichting Wijkwerk Leeuwarden. Clear agreements were made. The artists had an exemplary function in the city and even received commissions from the municipality of Leeuwarden, which contributed to the enlivening and embellishment of many public spaces.&#13;
&#13;
This collaboration has greatly improved the quality of graffiti art. This booklet provides an overview of the projects that have been realized in Leeuwarden in recent years.</text>
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