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                <text>John Cage’s 4'33" came out in 1952. The book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer’s own variations, derivatives, and sequels of the 'silent piece' in the years from 1962 to 1992.</text>
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                <text>Writers: Inke Arns, Brandon LaBelle, Dieter Daniels, David Toop, Dörte Schmidt, Julia H Schröder, Jan Thoben. &#13;
&#13;
Antholgy: Hans-Friedrich Bormann, John Cage, William Fetterman, Kyle Gann, Branden W Joseph, Douglas Kahn, Jonathan David Katz, Irwin Kremen, Liz Kotz, Julia Robinson, Simon Shaw Miller, James Pritchett&#13;
&#13;
Artists: Dave Allen, Heinrich Böll, Manon de Boer, Jens Brand, Klaus vom Bruch, John Cage, Cage Against the Machine, Martin Conrads, Martin Creed, Merce Cunningham, Paul Davis, Guy Debord, Christopher DeLaurenti, Einstürzende Neubauten, Carl Michael von Hausswolff, Jens Heitjohann, Pierre Huyge, Jonathon Keats, Yves Klein, Kolktivnye Deystviya (Collective Actions), Christoph Korn, Shigeko Kubota, Brandon LaBelle, Henning Lohner, Christian Marclay, Ciprian Muresan, Bruce Nauman, Max Neuhaus, Nam June Paik, People Like Us (Vicky Bennett), Hein-Godehart Petschulat, Robert Rauschenberg, Matt Rogalsky, Matthieu Saladin, Harald Schmidt/Helge Schneider, Petri Söderström-Kelley, Mladen Stilinovic, Ultra-red, Stephen Vitiello, Gillian Wearing, Dick Whyte</text>
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                <text>&lt;p&gt;&lt;a href="https://www.hmkv.de/home.html"&gt;About the accompanied exhibition&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://peoplelikeus.org/piccies/HMKV_SLS_Exhibition_EN.pdf"&gt;Press release&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://rosewhitemusic.com/piano/writings/silence-taught-john-cage/"&gt;About the song&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This is a collection of interviews with contemporary sound artists who use field recording in their work. These conversations explore the fundamental issues that underlie the development of field recording as the core of their practice. Recurring themes include early motivations, aesthetic preferences, the audible presence of the recordist and the nature of the field.</text>
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                <text>Essays by Maya Rasker and Joyce Wet Red&#13;
Graphic design by Vanessa van Dam&#13;
Final edits by Astrid de Bondt, Floortje Doornik, Judith Faas and Paul Kempers</text>
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                <text>A unique collection of forty multi-disciplinary perspectives drawn from anthropology, bioacoustics, geography, literature, community activism, sociology, religion, philosophy, art history, conflict mediation and the sonic arts including music, ethnomusicology and field recording. These specially commissioned contributions explore the many ways in which skilled listening can mediate new relationships with our physical environment and the people and other species that we share it with.</text>
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                <text>Generously depicted with thought-provoking illustrations, The Dark Universe is an accompaniment to Sonic Acts XV. The book features essays by Andrew Pickering, Michael Doser, Roger Malina, Keller Easterling, Simon Ings and many others, that discuss the festival theme from various perspectives. Extensive interviews with Saskia Sassen, Lebbeus Woods and artists like CM von Hausswolff, HC Gilje, Matthijs Munnik and Gert-Jan Prins approach ‘the dark universe’ from yet other perspectives. Interspersed through the book are not only many illustrations, but also visual essays by Bitcaves.</text>
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                <text>Did a centuries-old, Swiss mountain tradition make its way into American country music? As this fascinating book reveals; yodelling is not just a Swiss thing - everyone from Central African pygmies, Nashville hunks-in-hats, avant-grade tonsil-twisters like Meredith Monk, hip-hop stars De La Soul, and pop stars like Jewel have been known to kick back and release a yodelling refrain. Along the way, we encounter a gallery of unique characters, ranging from the legendary, such as country singer Jimmie Rodgers, to the definitely different, including Mary Schneider 'the Australian Queen of Yodeling' who specialises in yodelling Mozart, Beethoven, and Brahms, and the Topp Twins, a yodelling lesbian duo who employ the sound in their songs aimed at battling homophobia. The book is both a serious study of the history of yodelling around the world and a fun look at how this unique sound has worked its way into popular culture. </text>
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